With a calmness that shatters the piano’s harmony, he ran his beeing through paint. His meticulous friend, the paintbrush, cut him a place in the setting while the notes were spasmodically beating. The perfect mimesis. Silence. But inside the sheltered interior there were more eyes than notes. Silence.
This project was initially conceived after having noticed the classic tourist perspective tricks that people were taking while on holiday; it is a normal thing to see people trying to ‘hold’ the Eiffel tower in the palm of their hands or ‘squeezing’ the
Craig Welch takes viewers inside a surreal, meticulously crafted world to meet a mysterious protagonist and his otherworldly visitor. In this surreal exposition, we meet a man, obsessed with control. His intricate gadgets manipulate yet insulate, as his science
Co-directors Wendy Tilby and Amanda Forbis use pencil and paint on photocopies to achieve a textured look suggestive of a lithograph or a flickering newsreel. In When the Day Breaks, the ordinary--a lemon, a toaster, a chance collision on a street corner--is
Ryan is based on the life of Ryan Larkin, a Canadian animator who, 30 years ago, produced some of the most influential animated films of his time. In the film, we hear the voices of prominent animators and artists discussing Ryan's work, and from waitresses,
How to start in animation, where to look for help. With Lucas Martell, director of Pigeon: Impossible, and Joaquin Baldwin, director of Sebastian's Voodoo.
Papiroflexia (Spanish for “Origami”) is the animated tale of Fred, a chubby man with a passion for paper folding, who wants to change the world with his art. It was originally written as a poem by Joaquin Baldwin, and later developed into an animated film at
The filmmaker combines 2D animation on a graphics tablet with the warmth of sand animation, thus uniting modernity and tradition, Brazil and Africa, music and memory. Sparse in design and humanist in its outlook, Hungu exudes the elegance and suggestive power of a
Originally from the island of Tasmania, Luke Randall is a director/animator currently based in Melbourne, Australia. Luke has been fortunate enough to work on CG TV series, video game cinematic and animated feature films over the past couple of years and has
